
[On auditioning during pilot season in Los Angeles] It was great because I never had a gap year or anything like that. You’d get a pilot that was set in a 1930s jazz bar and you’d go off and just look into that for a day, even if it wasn’t a part you’d get in a million years; I enjoyed the process and just reading different scripts. I came back to England a lot more fearless. [x]
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